Acting Technique Essay -- essays research papers

Would that the stage were a tight rope where no incompetent would defy to tread.-GOETHEGoethe is speaking from an authors point of view. It is the pseudos tremendous and frustrating challenge to act in plays written by Goethe and other striking playwrights. Actors have to lapse complex and subtle ideas, like those that appear in Strindberg, Ibsen, Shaw and Arthur Miller. The modern pretender must have virtues that the playwright, perhaps, does not have, and one is the instinct that awakens the actor to act. That instinct is stronger than we know or can analyze. An actors total being mind, spirit, soul, and that essence which is talent must be devoted to his craft. In this life, nigh people are forced to use only one side of themselves. All those other selves create a unique unquiet in the actors soul, and what provokes the actors talent to be heard. Before an actor can let his voice be heard, he must visualize his of necessity and fears. He must make a distinction be tween growth and success. To humanize a young actor, have them list their assets and faults. The actor has only his suffer body as an instrument. Thus, he must continuously work on four tools the body, the speech, the mind, and the emotions. An actor has the right to survive, to grow as an artist. This entails a special strength, a new discipline, and self-awareness. Only then can he realize his goals and the work ahead of him as a professional actor.The profession of acting gives the actor the fortune to make of himself the most that he can be. The ultimate aim of this technique is to create an actor who can be responsible for his artistic development and achievement. The scratch line tier is the energy of the voice. Resonating to reach the audi... ...ications that are more than creative. This is why professional productions are more captivating and real than proletarian shows. Justifications that are more complex can be found and based on the circumstances. Justif ication can be taken one-step further when it is applied to characters and their beliefs. This will tending in character development and is beneficial on stage. Like a juggler of sentiment, an actor must be flexible on stage. He must be quick in reacting, but deliberate in emoting. He must have extraordinary imagination, and resolute justification. The actors profession is not an escaped one, but is an art that crosses the aesthetic barrier and reaches an audience. He knows there is a difference between the truth of life and the truth of the theatre. The actor must communicate on the highest level. The actor must be a master of both words and ideas.